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making and marketing studies of the painting process in this volume is about netherlandish workshop practiceom the late fifteenth century to the 1560s. some articles present the results of new technical studies that areprehensive in nature revealing the interrelationship between prints and painting practices ms of collaboration shifts in procedure thevelopment and use of shop mls and the impact of internationalmerce.
making and marketing studies of the painting process in making and marketing studies of the painting process in fifteenth and sixteenthcentury netherlandish workshops edited by molly faries h f


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making and marketing studies of the painting process in get thisom a library! making and marketing studies of the painting process in fifteenth and sixteenthcentury netherlandish workshops. molly faries historians of netherlandish art.


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romanism as a catalyst for change in bernard van orleys me fecit gt making and marketing studies of the painting process in fifteenth and sixteenthcentury netherlandish workshops gt doi 10.1484/m.mefeb.3.810


the painters apprentice in fifteenth and sixteenth this paper examines the apprentice of painters in antwerp during the fifteenth and sixteenth centuriesom a normative and quantitative perspective based on archival sources. first we analyse the statutes of the guild of saint luke which are partly preserved and published with regard to the rules regulations and entry fees for the apprentices.


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me fecit mef brepols me fecit mef as a sign not only of burgeoning selfawareness but also of a certain level of excellence long maintained by the medieval craft tradition early renaissance artists began to inscribe their paintings along with theclaration me fecit. this series which takes its inspirationom this phrase features paintings produced by artists of the fifteenth and sixteenth centuries that areemed autograph owing to inscriptions to reliable documentary evnce or to self .

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