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ican aesthetics the carlo monzino collection vogel this collection begun in the early 1960s by italian businessman carlo monzino was chosen with an eye toward esthetic merit not for archeological or sociological reasons and its taste shows. the works are reproduced according to tribe and atailed caption apanies each photograph.
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1986 the aesthetics of ican art the carlo monzino title the aesthetics of ican art the carlo monzino collection details new york museum for ican art 1986. 34 pages profusely illustrated in bampw and color 6 1/4 x 12 3/4 softcover with some wear corner bump.

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ican aesthetics the carlo monzino collection this collection begun in the early 1960s by italian businessman carlo monzino was chosen with an eye toward esthetic merit not for archeological or sociological reasons and its taste shows. the.

ican aesthetics the carlo monzino collection book get thisom a library! ican aesthetics the carlo monzino collection. susan mullin vogel mario carrieri center for ican art new york n.y.

aesthetics of ican art the carlo monzino collection get thisom a library! aesthetics of ican art the carlo monzino collection exhibition new york center for ican art may 7 september 7 1986. susan mullin vogel center for ican art newyork.

art african objects of monzino collection the new york the collection in question is built around a core of objects formerly owned by jacob epstein 18801959 the americanborn sculptor who contributed so much that was controversial to british art .

a universal esthetic? the new york times over two centuries later in her introduction to ican aesthetics the carlo monzino collection susan mullin vogel writes in a similar fashion of fang sculpture these figures embody an.